"Pseaume 134 (Ecce nunc benedicite dominum, a6)" by Jan Pieterszoon Sweelinck, The Royal Wind Music, Paul Leenhouts was released on September 20, 2009. With Pseaume 134 (Ecce nunc benedicite dominum, a6) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Flute-Heaven of the Gods". In this album, this song's track order is #5. Pseaume 134 (Ecce nunc benedicite dominum, a6) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pseaume 134 (Ecce nunc benedicite dominum, a6) by Jan Pieterszoon Sweelinck, The Royal Wind Music, Paul Leenhouts having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 1 | 6B | 84 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Dances: Galliard [22] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | F Major | 1 | 7B | 129 BPM | ||
Gavotte in F Major | Giovanni Battista Martini, Janos Sebestyen | F Major | 0 | 7B | 114 BPM | ||
Der Gerechte, ob er gleich zu zeitlich stirbt | Johann Christoph Bach, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 124 BPM | ||
Missa L'homme arme: Kyrie (Missa L' homme arme) | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | B Major | 1 | 1B | 134 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM |
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