"Der Gerechte, ob er gleich zu zeitlich stirbt" by Johann Christoph Bach, Vox Luminis, Lionel Meunier was released on May 18, 2015. With this song being about 5 minutes long, at 4:51, "Der Gerechte, ob er gleich zu zeitlich stirbt" by Johann Christoph Bach, Vox Luminis, Lionel Meunier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 33 in Bach: Motetten by Vox Luminis, Lionel Meunier. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Der Gerechte, ob er gleich zu zeitlich stirbt's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Gerechte, ob er gleich zu zeitlich stirbt by Johann Christoph Bach, Vox Luminis, Lionel Meunier is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
The Ways of Zion Do Mourn "Funeral Anthem for Queen Caroline", HWV 264: II. The ways of Zion do mourn | George Frideric Handel, Les Arts Florissants, William Christie | B Minor | 0 | 10A | 98 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Herr, wenn ich nur dich hab, BuxWV 38 | Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc | G Major | 1 | 9B | 88 BPM | ||
Messa à 4 da cappella | The Sixteen | F Major | 1 | 7B | 68 BPM | ||
Ich lasse dich nicht, BWV Anh. 159 | Johann Christoph Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | F Minor | 0 | 4A | 68 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM |
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