"Missa Prolationum: Kyrie" by Johannes Ockeghem, Musica Ficta, Bo Holten was released on September 19, 1997. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ockeghem: Requiem / Missa Prolationum". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Missa Prolationum: Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Prolationum: Kyrie by Johannes Ockeghem, Musica Ficta, Bo Holten having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | ||
Messe in D: III. Credo | Johannes Ockeghem, Ensemble Musica Nova | E♭ Minor | 2 | 2A | 77 BPM | ||
Beata viscera | Manuel da Fonseca, Ars Nova, Bo Holten | A Minor | 1 | 8A | 75 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
En snes danske viser, Vol. 2, FS 78: Hvor sødt i sommer-aftenstunden (Arr. B. Holten for Choir) | Carl Nielsen, DR Vokal Ensemblet, Bo Holten | A♭ Minor | 2 | 1A | 126 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM |
Section: 0.6181192398071289
End: 0.6217622756958008