Nicola Fiorenza, Ophélie Gaillard, Pulcinella Orchestra made "Cello Concerto No. 1 in F Major: III. Largo" available on October 6, 2023. The duration of Cello Concerto No. 1 in F Major: III. Largo is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Cello Concerto No. 1 in F Major: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Napoli!". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Cello Concerto No. 1 in F Major: III. Largo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cello Concerto No. 1 in F Major: III. Largo by Nicola Fiorenza, Ophélie Gaillard, Pulcinella Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | B Minor | 1 | 10A | 100 BPM | ||
Violin Concerto in D Major: I. In tempo giusto | Nicola Fiorenza, Hiro Kurosaki, La Ritirata | A♭ Major | 2 | 4B | 134 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
The Queen's Dolour, Z. 670 (Arr. for Ensemble by Le Consort) | Henry Purcell, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro | Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier | A Minor | 0 | 8A | 70 BPM |
Section: 2.276318073272705
End: 2.280885696411133