"Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro" by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium was released on April 11, 2023. The duration of Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Concerto Grosso in D Major, Op. 2, No. 4: III. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 112 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, III. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Major | 2 | 2B | 126 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Concerto Grosso in E Minor, Op. 1, No. 4: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 177 BPM | ||
Scarlatti, D: Keyboard Sonata in G Minor, Kk. 476 | Domenico Scarlatti, Scott Ross | F♯ Major | 7 | 2B | 147 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: Ⅶ. Badinerie | 麥家樂, Russian Chamber Symphony Orchestra | G Major | 2 | 9B | 97 BPM |
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