"Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro" by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier was released on February 13, 2015. With Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Schultzen: Recorder Sonatas". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Germany. Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sommeil from Persée | Jean-Baptiste Lully, Mirko Ludwig, Ensemble La Ninfea | D♭ Minor | 0 | 12A | 102 BPM | ||
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Che farerno ò cor mio, Kantate für Sopran, Blockflöte und B.c.: I. Introduzione affetuoso-Adagio | Antonio Maria Bononcini, Ulrike Hofbauer, Ensemble La Ninfea | A♭ Minor | 0 | 1A | 85 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Musique de table, Pt. I, Quartet in G Major, TWV 43:G2: IV. Vivace | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 0 | 3B | 106 BPM | ||
Pasacaille lente La Desolée | Marin Marais, Ensemble La Ninfea | D♭ Major | 2 | 3B | 68 BPM | ||
Sonata I in G Major: Sonata I in G Major: I. Grave | Anonymous, Ensemble La Ninfea | E Major | 1 | 12B | 172 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: III. Presto | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | B Major | 3 | 1B | 141 BPM |
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