Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth's 'Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune)' came out on May 1, 2015. The duration of Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune) is about 3 minutes long, at 3:26. Based on our data, "Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #4 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune) by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Was nahmst du am Eide nicht teil? (Siegfried, Hagen, Gunther, Gutrune) being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
La Traviata / Act 3: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 0 | 4B | 135 BPM | ||
Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM |
Section: 0.7126071453094482
End: 0.7196226119995117