"Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio" by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek was released on February 4, 1997. With Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 23 out of 38. Based on our statistics, Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 108 BPM | ||
Sonata in B-flat Major, No. 2: III. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 2 | 11B | 65 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): I. Largo | Charles Avison, I Musici | D Major | 1 | 10B | 95 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 2: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 119 BPM | ||
Trio Sonata in C Minor, BuxWV 262: II. Allegro - III. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: III. Adagio | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | E♭ Minor | 1 | 2A | 128 BPM | ||
Sinfonia G-dur (1749): III. Presto | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Major | 2 | 2B | 74 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 1 | 12B | 112 BPM |
Section: 0.6670701503753662
End: 0.6711106300354004