Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani made "Sinfonia G-dur (1749): III. Presto" available on 2000. With Sinfonia G-dur (1749): III. Presto being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 19 out of 19. Sinfonia G-dur (1749): III. Presto is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sinfonia G-dur (1749): III. Presto by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria Variata Alla maniera italiana in A Minor, BWV 989: No. 5, Variation IV. Allegro - Arr. for Baroque Ensemble in G Minor | Johann Sebastian Bach, Concerto Italiano, Rinaldo Alessandrini | F♯ Major | 0 | 2B | 80 BPM | ||
Cello Concerto in D Major: II. Andante, alla marcia | Arnold Schoenberg, Georg Matthias Monn, Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa | A Major | 1 | 11B | 131 BPM | ||
Requiem in C Minor III/37: I. Requiem Aeternam | Gregor Joseph Werner, Magdalene Harer, Anne Bierwirth, Markus Flaig, Voktett Hannover, La Festa Musicale, Lajos Rovatkay | F♯ Major | 1 | 2B | 78 BPM | ||
Absalon III/3, Introductio: I. Largo | Gregor Joseph Werner, La Festa Musicale, Lajos Rovatkay | B Minor | 0 | 10A | 169 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 80 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Allegro | Cologne Chamber Orchestra | C Major | 2 | 8B | 125 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 114 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Partita a 3 Nr.2 g-moll: III. Menuetto - Trio Piano | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 1 | 11A | 123 BPM | ||
Stabat Mater: V: Tui nati vulnerati | Antonio Caldara, Gloria Banditelli/Peter Frankl/Monika Frimmer/Gerd Turk/Capella Agostino Steffani/Westfälische Kantorei/Lajos Rovatkay/Hildebrand Haake, Lajos Rovatkay, Capella Agostino Steffani | E Minor | 0 | 9A | 76 BPM |
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