On October 6, 2023, the song "Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro" was released by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700. With Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata VII in Re Magg.: I. Vivace | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | D♭ Major | 4 | 3B | 120 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerto a flauto dolci, au luth in D Minor: IV. Gigue | Ernst Gottlieb Baron, Dorothee Oberlinger | E Major | 1 | 12B | 208 BPM | ||
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | ||
Flute Sonata in E Minor: II. Siliciano | Wilhelm Friedemann Bach, Markus Bronnimann, Jean Halsdorf, Léon Berben | G Major | 0 | 9B | 99 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: II. Minuet - Allegro | Benedetto Marcello, Dorothee Oberlinger | D Major | 0 | 10B | 75 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Sinfonia in E Major: V. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Gavotta (from Suonata da camera a tre, Op. 2/2) | Antonio Caldara, Dorothee Oberlinger | B♭ Major | 2 | 6B | 132 BPM |
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