"Absalon III/3, Introductio: I. Largo" by Gregor Joseph Werner, La Festa Musicale, Lajos Rovatkay was released on November 4, 2022. With Absalon III/3, Introductio: I. Largo being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregor Joseph Werner, Daniel Trumbull, Magdalene Harer, Anne Bierwirth, Markus Flaig, Tobias Hunger, La Festa Musicale, Lajos Rovatkay, Voktett Hannover's "Gregor Joseph Werner: Vol. II: Requiem" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. The popularity of Absalon III/3, Introductio: I. Largo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Absalon III/3, Introductio: I. Largo by Gregor Joseph Werner, La Festa Musicale, Lajos Rovatkay to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Trio Sonata in A Minor, BuxWV 254: VI. Presto - VII. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Salve Regina III/111: IV. O Clemens | Gregor Joseph Werner, Magdalene Harer, Johannes Euler, Georg Poplutz, Markus Flaig, La Festa Musicale, Lajos Rovatkay | F♯ Major | 2 | 2B | 93 BPM | ||
Sonata prima: IV. Allegro | Gregor Joseph Werner, La Festa Musicale, Lajos Rovatkay | B Major | 1 | 1B | 105 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 42, O Ewigkeit, du Donnerwort, BWV 513 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM |
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