Gregor Joseph Werner, Magdalene Harer, Anne Bierwirth, Markus Flaig, Voktett Hannover, La Festa Musicale, Lajos Rovatkay's 'Requiem in C Minor III/37: I. Requiem Aeternam' came out on November 4, 2022. The duration of Requiem in C Minor III/37: I. Requiem Aeternam is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Requiem in C Minor III/37: I. Requiem Aeternam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gregor Joseph Werner, Daniel Trumbull, Magdalene Harer, Anne Bierwirth, Markus Flaig, Tobias Hunger, La Festa Musicale, Lajos Rovatkay, Voktett Hannover's "Gregor Joseph Werner: Vol. II: Requiem" album is number 9 out of 25. On top of that, Germany appears to be the country where this track was created. Requiem in C Minor III/37: I. Requiem Aeternam is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem in C Minor III/37: I. Requiem Aeternam by Gregor Joseph Werner, Magdalene Harer, Anne Bierwirth, Markus Flaig, Voktett Hannover, La Festa Musicale, Lajos Rovatkay to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Concerto a 5 parti: B: Allegro | Gregor Joseph Werner, Ars Antiqua Austria, Gunar Letzbor | B Minor | 0 | 10A | 82 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Concerto per la Camera à 4 con due Violini, violoncello concerto A Major: [Vivace] | Gregor Joseph Werner, Michal Stahel, Solamente Naturali | A♭ Major | 3 | 4B | 101 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: II. Ad genua. "Ad uber portabimini" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 100 BPM |
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