Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich)
Richard Wagner, Jess Thomas/Otto Wiener/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker
Wagner: Lohengrin
2:18 1964
BPM
77
Key
D Major
Camelot
10B

Embed

Share Link

Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) - Richard Wagner, Jess Thomas/Otto Wiener/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker Information

Acousticness
99%
Danceability
36%
Energy
20%
Instrumentalness
0%
Liveness
57%
Loudness
79%
Speechiness
3%
Valence
7%
Popularity
Loudness
-12.739 dB

Summary

"Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich)" by Richard Wagner, Jess Thomas/Otto Wiener/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker was released on 1964. The duration of Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #14 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) BPM

Since Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) by Richard Wagner, Jess Thomas/Otto Wiener/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Wagner: Lohengrin, WWV 75, Act 1 Scene 3: "Nun höret mich und achtet wohl" (Heerrufer, Männer, Lohengrin, Friedrich) Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Zauberflöte, K.620 / Act 2: Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's"Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A69 BPM
Carmina Burana / I. Primo vere: Carmina Burana / I. Primo vere: "Veris leta facies"Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumD Minor07A68 BPM
The Sorcerer's Apprentice by Philharmonia OrchestraThe Sorcerer's ApprenticePhilharmonia OrchestraD♭ Major23B130 BPM
Symphony No. 3 in A Minor, Op. 56, MWV N 18 Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assaiFelix Mendelssohn, London Symphony Orchestra, Peter MaagA Minor38A121 BPM
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper MünchenDie Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): OvertureWolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper MünchenE♭ Major15B80 BPM
Stravinsky: Symphony in C: I. Moderato alla breve by Igor Stravinsky, Sir Simon Rattle, Berliner PhilharmonikerStravinsky: Symphony in C: I. Moderato alla breveIgor Stravinsky, Sir Simon Rattle, Berliner PhilharmonikerC Major08B147 BPM
La Traviata / Act 3: La Traviata / Act 3: "Prendi, quest'è l'immagine"Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos KleiberD♭ Major23B88 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": I. AdagioCamille Saint-Saëns, Eugene Ormandy, Philadelphia OrchestraF Minor04A84 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
Oberon, J.306: Ouvertüre by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael KubelikOberon, J.306: OuvertüreCarl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael KubelikD Major110B131 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7018802165985107

End: 0.7069025039672852