Niccolò Paganini, Niklas Liepe, Gregor Bühl's '24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 9 in E Major, "La chasse"' came out on March 9, 2018. The duration of 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 9 in E Major, "La chasse" is about 3 minutes long, at 3:24. Based on our data, "24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 9 in E Major, "La chasse"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The New Paganini Project". In this album, this song's track order is #9. 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 9 in E Major, "La chasse" is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 9 in E Major, "La chasse" by Niccolò Paganini, Niklas Liepe, Gregor Bühl having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
Introduction and Rondo capriccioso, Op. 28 | New York Philharmonic, Leonard Bernstein | A Minor | 2 | 8A | 91 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Le couvent du Mont Saint Bernard: I. Andante sonnolento | Niccolò Paganini, Wiener Singverein, Mario Hossen, Vienna Classical Players, Martin Kerschbaum | E Major | 5 | 12B | 72 BPM |
Section: 0.6070306301116943
End: 0.6141541004180908