"Le couvent du Mont Saint Bernard: I. Andante sonnolento" by Niccolò Paganini, Wiener Singverein, Mario Hossen, Vienna Classical Players, Martin Kerschbaum had its release date on January 19, 2018. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Le couvent du Mont Saint Bernard: I. Andante sonnolento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Paganini: Violin Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Le couvent du Mont Saint Bernard: I. Andante sonnolento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le couvent du Mont Saint Bernard: I. Andante sonnolento by Niccolò Paganini, Wiener Singverein, Mario Hossen, Vienna Classical Players, Martin Kerschbaum having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Tales of the Magic Tree: V. When the Dragonflies Gossip | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | C Minor | 4 | 5A | 105 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Overture | Philip Glass, Matt Haimovitz | G Major | 0 | 9B | 67 BPM | ||
Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | B Minor | 0 | 10A | 85 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM |