Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante" available on February 27, 2007. Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Tchaikovsky: Violin Concerto - Souvenir d'un lieu cher". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. The popularity of Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is currently below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante by Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Introduction and Rondo capriccioso, Op. 28 | New York Philharmonic, Leonard Bernstein | A Minor | 2 | 8A | 91 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | C Major | 0 | 8B | 75 BPM | ||
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM |
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