- BPM
- 118
- Key
- D Major
- Camelot
- 10B
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat - Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra Information
- Acousticness
- 95%
- Danceability
- 41%
- Energy
- 45%
- Instrumentalness
- 91%
- Liveness
- 27%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 53%
- Popularity
- 5%
- Loudness
- -15.057 dB
Summary
Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat" available on April 10, 2024. The duration of Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat is about 3 minutes long, at 3:16. Based on our data, "Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat BPM
The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | |
 | Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | |
 | Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | |
 | Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 10. Chor, "Gott fähret auf mit Jauchzen" (Chorus) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor | D Major | 4 | 10B | 124 BPM | |
 | Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | |
 | Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Prolog: O vos omnes, qui transitis per viam | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | A Major | 1 | 11B | 81 BPM | |
 | Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | |
 | Missa brevis in C Major, K. 220 "Spatzenmesse": III. Credo | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Angela Maria Blasi, Elisabeth Von Magnus, Franz-Josef Selig, Uwe Heilmann, Concentus Musicus Wien, Arnold Schönberg Choir | F♯ Major | 1 | 2B | 95 BPM | |
 | Laudate Pueri (Psalm 112), R.602: 6. Allegro: Suscitans | Antonio Vivaldi, Margaret Marshall, Felicity Lott, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable, Harold Lester | B Minor | 2 | 10A | 97 BPM |
- ISRC
- GBAYC9803716
- Label
- L-M Records/RCA Records
Section: 0.646111249923706
End: 0.6511068344116211