"Requiem, Sanctus: I. Sanctus" by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani had its release date on September 11, 2020. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Various Artists's "Jommelli: Requiem" album is number 13 out of 27. Based on our statistics, Requiem, Sanctus: I. Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, Sanctus: I. Sanctus by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Schubert: Mass in G Major, D. 167: Gloria | Franz Schubert, Lucia Popp, Adolf Dallapozza, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Alma redemptoris mater | Giovanni Legrenzi, Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Elena Carzaniga, Valerio Contaldo, Raffaele Giordani, Salvo Vitale | G Major | 1 | 9B | 90 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | D Major | 1 | 10B | 142 BPM | ||
Obstupescite caelites, obmutescite angeli | Giovanni Legrenzi, Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Elena Carzaniga, Raffaele Giordani, Salvo Vitale | D Minor | 2 | 7A | 70 BPM | ||
Nascere Virgo potens: No. 3, Per te superbus anguis | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Francesca Cassinari, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Der Sommer: "Sie steigt herauf, die Sonne" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor | B♭ Major | 0 | 6B | 120 BPM | ||
Euridice, Scene III: "A te, qual tu ti sia" | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano, Anna Simboli, Raffaele Giordani | G Major | 2 | 9B | 79 BPM | ||
Requiem, Sequentia: III. Voca me | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 0 | 5A | 81 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM |