"Obstupescite caelites, obmutescite angeli" by Giovanni Legrenzi, Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Elena Carzaniga, Raffaele Giordani, Salvo Vitale had its release date on April 28, 2023. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Giovanni Legrenzi, Rinaldo Alessandrini, Concerto Italiano's "Giovanni Legrenzi: Mottetti" album is number 5 out of 13. On top of that, France appears to be the country where this track was created. Obstupescite caelites, obmutescite angeli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Obstupescite caelites, obmutescite angeli by Giovanni Legrenzi, Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Elena Carzaniga, Raffaele Giordani, Salvo Vitale to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: Quanto magis generosa | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Magdalena Kozená | E♭ Major | 0 | 5B | 103 BPM | ||
Sonate a 2, 3, 5, & 6, Op. 8: La Squarzona a 5 | Giovanni Legrenzi, Clematis | C Major | 3 | 8B | 113 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Alegria | Green Nature | A♭ Major | 1 | 4B | 117 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Sonata a tre in re maggiore: I. Allegro - Presto | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 3 | 3B | 117 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM |