"Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen" by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm was released on January 1, 2011. With this song being about 5 minutes long, at 4:47, "Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen" by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Symphonieorchester des Bayerischen Rundfunks, Berliner Philharmoniker, Dietrich Fischer-Dieskau, Rafael Kubelík, Karl Böhm's "Mahler: Lieder eines fahrenden Gesellen; 4 Rückert-Lieder; Kindertotenlieder" album is number 10 out of 13. On top of that, Germany appears to be the country where this track was created. Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM |
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