2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting)
Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset
Grieg: Music for String Orchestra
4:11 October 4, 2011
BPM
74
Key
D Major
Camelot
10B

Embed

Share Link

2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) - Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset Information

Acousticness
92%
Danceability
21%
Energy
3%
Instrumentalness
18%
Liveness
16%
Loudness
60%
Speechiness
6%
Valence
7%
Popularity
Loudness
-23.945 dB

Summary

"2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting)" by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset was released on October 4, 2011. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Bjarte Engeset's "Grieg: Music for String Orchestra" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. 2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) BPM

We consider the tempo marking of 2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Sonata in A Minor, Op. 36: II. Andante molto tranquillo by Edvard Grieg, Jean-Yves Thibaudet, Truls MørkCello Sonata in A Minor, Op. 36: II. Andante molto tranquilloEdvard Grieg, Jean-Yves Thibaudet, Truls MørkF Major17B132 BPM
Holberg Suite, opus 40: Prelude (Allegro vivace) by Academy of St. Martin in the FieldsHolberg Suite, opus 40: Prelude (Allegro vivace)Academy of St. Martin in the FieldsG Major19B76 BPM
Symphony No. 3 in D Major, Op. 29, Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplicePyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri KitayenkoG Minor06A120 BPM
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) by Percy Grainger, Royal Norwegian Navy Band, Bjarte EngesetMolly on the Shore, BFMS 23 (Version for Wind Ensemble)Percy Grainger, Royal Norwegian Navy Band, Bjarte EngesetD♭ Major33B110 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: I. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisB♭ Major26B73 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestG Major39B97 BPM
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) by Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultLa Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultG Major19B82 BPM
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) by Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji OzawaScheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato)Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji OzawaG Major19B84 BPM
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanHolberg Suite, Op.40: 5. Rigaudon (Allegro con brio)Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Major09B128 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinA♭ Major04B87 BPM
ISRC
HKI191074404
Label
L-M Records/RCA Records

Section: 0.6272239685058594

End: 0.6324992179870605