La Promessa
Gioachino Rossini, Ruth Ann Swenson
I Carry Your Heart
4:24 January 1, 1996
BPM
80
Key
A♭ Major
Camelot
4B

Embed

Share Link

La Promessa - Gioachino Rossini, Ruth Ann Swenson Information

Acousticness
99%
Danceability
39%
Energy
3%
Instrumentalness
1%
Liveness
14%
Loudness
53%
Speechiness
6%
Valence
7%
Popularity
Loudness
-27.962 dB

Summary

"La Promessa" by Gioachino Rossini, Ruth Ann Swenson was released on January 1, 1996. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruth Ann Swenson's "I Carry Your Heart" album is number 5 out of 20. La Promessa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Promessa BPM

We consider the tempo marking of La Promessa by Gioachino Rossini, Ruth Ann Swenson to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

La Promessa Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tritsch-Tratsch-Polka, Op. 214 Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul DesenneJohann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo DudamelA Major611B88 BPM
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre by Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan MarinovCarmen: Act II: Toreador Song: Votre toast, je peux vous le rendreGeorges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan MarinovF Minor44A115 BPM
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekSpanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. AllegrettoNikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekG Major39B99 BPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro moltoAntonín Dvořák, Oslo Philharmonic Orchestra, Mariss JansonsE Minor19A112 BPM
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e graziosoEdvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviA Major011B136 BPM
La Cenerentola / Act 2: La Cenerentola / Act 2: "Sì, ritrovarla io giuro"Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyF Major27B86 BPM
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriIl Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriE Major112B109 BPM
Jazz Suite No. 2: III. Dance 1 by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: III. Dance 1Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA Major311B153 BPM
Beethoven: Symphony No. 9 in D Minor, Op. 125 Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt)Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia OrchestraB♭ Major06B77 BPM
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo MutiOrfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed SpiritsChristoph Willibald Gluck, Philharmonia Orchestra, Riccardo MutiC Major08B65 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7381019592285156

End: 0.7416329383850098