"5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision)" by Richard Strauss, Leo Slezak, Studio pianist was released on January 4, 2011. The duration of 5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 24 in An Anthology of Song, Vol. 3 (1913-1929) by Leo Slezak. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of 5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision) by Richard Strauss, Leo Slezak, Studio pianist is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alphorn, o. Op. | Richard Strauss, Christiane Karg, Malcolm Martineau, Felix Klieser | D Major | 3 | 10B | 78 BPM | ||
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Don Quixote, Op. 35, TrV 184: Maggiore | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | E Major | 0 | 12B | 169 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
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