"Klezmer Dances" by Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti was released on December 6, 2011. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 19 in Dances to a Black Pipe by Martin Fröst, Richard Tognetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Klezmer Dances is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Klezmer Dances by Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Australian Chamber Orchestra, Richard Tognetti | G Major | 2 | 9B | 146 BPM | ||
21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto | Johannes Brahms, Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 1 | 7A | 143 BPM | ||
Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | D Major | 0 | 10B | 99 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Nemanja Radulović, Les Trilles Du Diable | D Minor | 4 | 7A | 122 BPM | ||
Hungarian Dances, WoO 1: No. 2 in D Minor, Allegro non assai | Johannes Brahms, Ludmila Peterková, Irina Kondratenko | D Minor | 1 | 7A | 142 BPM | ||
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | B Minor | 1 | 10A | 76 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM |
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