Johann Sebastian Bach, Nemanja Radulović, Les Trilles Du Diable's 'Toccata & Fugue in D Minor, BWV 565' came out on October 14, 2016. Since Toccata & Fugue in D Minor, BWV 565 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 13 in Bach by Nemanja Radulović, Double Sens. Based on our statistics, Toccata & Fugue in D Minor, BWV 565's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata & Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Nemanja Radulović, Les Trilles Du Diable is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Sviatoslav Richter | G Major | 3 | 9B | 60 BPM | ||
Savcho 3 | Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | A Minor | 0 | 8A | 83 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Beethoven - Symphony No. 7 in A Major, S. 464/R. 128: II. Allegretto | Franz Liszt, Konstantin Scherbakov | E Minor | 0 | 9A | 69 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Hungarian Rhapsody No. 2 in C sharp minor, S.244 | David Helfgott | D♭ Major | 3 | 3B | 102 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
The Seasons, Op. 37 bis: No. 6 June Barcarole | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | E Major | 0 | 12B | 141 BPM | ||
Nocturne No.20 In C Sharp Minor, Op.posth. | Frédéric Chopin, Daniel Barenboim | D♭ Minor | 0 | 12A | 64 BPM |
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