"Holberg Suite, Op. 40: 1. Präludium (Allegro vivace)" by Australian Chamber Orchestra, Richard Tognetti had its release date on August 4, 2017. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Holberg Suite, Op. 40: 1. Präludium (Allegro vivace)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Australian Chamber Orchestra, Richard Tognetti's "Mountain (Original Motion Picture Soundtrack)" album is number 6 out of 20. Based on our statistics, Holberg Suite, Op. 40: 1. Präludium (Allegro vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) by Australian Chamber Orchestra, Richard Tognetti to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante for Clarinet and Orchestra | Christopher Smith, Howard Shelley, London Mozart Players, Angela Malsbury | D Major | 0 | 10B | 96 BPM | ||
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) | Johannes Brahms, Daniel Hope | G Major | 0 | 9B | 77 BPM | ||
String Quartet, Op.11: 2. Molto adagio | Samuel Barber, Tankstream Quartet | B♭ Minor | 0 | 3A | 82 BPM | ||
Carmen Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Minor | 3 | 8A | 136 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
Vayamos al Diablo | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | E Minor | 3 | 9A | 107 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Minor | 0 | 6A | 84 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): III. Clair de lune | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | D♭ Major | 0 | 3B | 86 BPM | ||
Britten: Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) | Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 137 BPM |