- BPM
- 77
- Key
- G Major
- Camelot
- 9B
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) - Johannes Brahms, Daniel Hope Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 2%
- Instrumentalness
- 4%
- Liveness
- 16%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 16%
- Popularity
- 10%
- Loudness
- -29.594 dB
Summary
"Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope)" by Johannes Brahms, Daniel Hope was released on March 3, 2017. The duration of Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 25 in For Seasons by Daniel Hope. Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) BPM
The tempo marking of Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) by Johannes Brahms, Daniel Hope is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | |
 | Crisantemi | Giacomo Puccini, Arabella Quartet | D♭ Minor | 1 | 12A | 91 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102 (Version for Piano Duet): II. Andante | Dmitri Shostakovich, Min Kyung Kim, Hyung Jin Moon | C Minor | 0 | 5A | 179 BPM | |
 | Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | |
 | Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | E♭ Major | 0 | 5B | 85 BPM | |
 | Sonata in D Minor, Kk.9 | Domenico Scarlatti, Alexandre Tharaud | D Minor | 0 | 7A | 90 BPM | |
 | Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | C Major | 1 | 8B | 83 BPM | |
 | Études: No. 2 | Philip Glass, Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | |
 | L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6198046207427979
End: 0.6230268478393555