Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts's 'Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen)' came out on March 1, 2012. With this song being about 5 minutes long, at 5:04, "Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen)" by Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 15 in Bassoon Kaleidoscope by Bram van Sambeek, Maria-Paula Majoor, Rick Stotijn, Joost Bosdijk, Ellen Corver, Sven Figee, Marijn Korff de Gidts. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) by Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barroso: Brazil | Ary Barroso, Quatuor Ébène, Brazil Choir, Brazil String Orchestra, Mino Cinelu, Richard Héry, Stéphane Logerot | G Major | 6 | 9B | 124 BPM | ||
III. Allegro | Bram van Sambeek | A Minor | 1 | 8A | 134 BPM | ||
Suite in D Minor, HWV 437: III. Sarabande. Grave - Arranged by Charl du Plessis | George Frideric Handel, Charl du Plessis Trio | F Major | 2 | 7B | 82 BPM | ||
Munich Afternoon | Nils Wülker, Munich Radio Orchestra, Patrick Hahn | E♭ Minor | 3 | 2A | 74 BPM | ||
Handel / Arr Pluhar: Sinfonia (From Alcina HWV 34) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 3 | 7B | 120 BPM | ||
Bassoon Concerto: III. Passacaglia. Adagio - Cadenza | Kalevi Aho, Bram van Sambeek, Lahti Symphony Orchestra, Dima Slobodeniouk | B♭ Major | 0 | 6B | 83 BPM | ||
Life Goes On: Life Goes On | Carla Bley, Andy Sheppard, Steve Swallow | D♭ Major | 0 | 3B | 67 BPM | ||
Harlem Nocturne (Arr. by Edrich Siebert) | Earle Hagen, Fanfare des Collèges de Lausanne, Silvio Mages | E♭ Major | 2 | 5B | 122 BPM | ||
Spring Fly - Theme from Kevadine kärbes | Lepo Sumera, Misha Mullov-Abbado, Viktoria Mullova | G Minor | 2 | 6A | 85 BPM | ||
Picnic Suite for Flute, Guitar and Jazz Piano Trio: I. Rococo | Claude Bolling, Jean-Pierre Rampal, Alexandre Lagoya | G Major | 3 | 9B | 98 BPM |
Section: 0.6109092235565186
End: 0.6146621704101562