"La Gioconda (1997 - Remaster), Act II: Maledizion! Ha preso il vol!" by Amilcare Ponchielli, Maria Callas, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan was released on 1960. With La Gioconda (1997 - Remaster), Act II: Maledizion! Ha preso il vol! being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Ponchielli La gioconda". In this album, this song's track order is #14. La Gioconda (1997 - Remaster), Act II: Maledizion! Ha preso il vol! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Gioconda (1997 - Remaster), Act II: Maledizion! Ha preso il vol! by Amilcare Ponchielli, Maria Callas, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 82 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM |
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