"Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura)" by Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano was released on 1960. With Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered". In this album, this song's track order is #26. Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura) by Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | C Major | 1 | 8B | 78 BPM | ||
Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf | F Major | 3 | 7B | 110 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Ponchielli: La Gioconda, Act 3: "Grazie vi rendo per le vostre laudi" (Alvise) | Amilcare Ponchielli, Ivo Vinco, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano | E Major | 1 | 12B | 97 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM |
Section: 0.6293056011199951
End: 0.6357362270355225