Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly's 'Andrea Chénier / Act 3: Lacrime e sangue dà la Francia!' came out on January 1, 1984. With Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 2 out of 30. In terms of popularity, Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! by Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Una voce poco fa | Gioachino Rossini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Major | 1 | 12B | 100 BPM | ||
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered | Maria Callas | F Major | 3 | 7B | 86 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Fedora / Act 3: Tutto tramonta | Umberto Giordano, Renée Fleming, Arturo Chacón, Emma Latis, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | A♭ Minor | 0 | 1A | 91 BPM | ||
Andrea Chenier: Act IV: Viene a costei concesso | Umberto Giordano, Renata Scotto, Sherrill Milnes, Isser Bushkin, James Levine | A Major | 1 | 11B | 95 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM |
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