- BPM
- 128
- Key
- A Minor
- Camelot
- 8A
Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe" - Cristobal de Morales, Gabrieli, Paul McCreesh Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 20%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 6%
- Loudness
- -20.973 dB
Summary
"Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe"" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. Since Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 11 out of 19. Based on our statistics, Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe" BPM
We consider the tempo marking of Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe" by Cristobal de Morales, Gabrieli, Paul McCreesh to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Missa pro Defunctis (1544): Offertorium: "Domine Jesu Christe" Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris | Cristobal de Morales, De Profundis, Gregory Drott, Eamonn Dougan | F Major | 1 | 7B | 90 BPM | |
 | Heyr himna smiður | Þorkell Sigurbjörnsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A Minor | 1 | 8A | 74 BPM | |
 | Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | |
 | Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | |
 | The Heavens' Flock | Ēriks Ešenvalds, Paulann Petersen, Portland State University Chamber Choir, Ethan Sperry | C Minor | 1 | 5A | 174 BPM | |
 | Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | |
 | Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | |
 | Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | |
 | Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM | |
| Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6108183860778809
End: 0.6160542964935303