"Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris" by Cristobal de Morales, De Profundis, Gregory Drott, Eamonn Dougan was released on March 3, 2023. With Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, De Profundis, Josquin des Prez's "Morales: Missa Mille regretz & Missa Desilde al cavallero" album is number 44 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris by Cristobal de Morales, De Profundis, Gregory Drott, Eamonn Dougan to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendliedchen | Sjaella | C Major | 1 | 8B | 68 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Inclina, Domine, aurem tuam: II. Deduc me, Domine | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | D♭ Minor | 1 | 12A | 81 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
Parce Mihi Domine - Var. 1 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 0 | 6B | 144 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM |
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