"Avodat Shabbat: Orchestral Prelude" by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz was released on February 1, 2004. With Avodat Shabbat: Orchestral Prelude being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 22 in BERLINSKI: Avodat Shabbat (Friday Evening Service) by Herman Berlinski, Gerard Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Avodat Shabbat: Orchestral Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Avodat Shabbat: Orchestral Prelude by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Avodat Shabbat: Va'anahnu | Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz | A Major | 1 | 11B | 79 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIII (***): Romanza | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 115 BPM | ||
Intermezzo, Pt. 2 - Tristan and Isolde | The City of Prague Philharmonic Orchestra | C Major | 0 | 8B | 69 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 1 | 12B | 80 BPM | ||
Coronation Te Deum (Arr. Rutter) | William Walton, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Coronation Orchestra, Antonio Pappano, Peter Holder, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell | A Major | 2 | 11B | 84 BPM | ||
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM |
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