5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green
Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau
Fauré/Chausson: French Airs
2:03 January 1, 2003
BPM
92
Key
A♭ Major
Camelot
4B

Embed

Share Link

5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green - Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau Information

Acousticness
99%
Danceability
15%
Energy
7%
Instrumentalness
13%
Liveness
13%
Loudness
61%
Speechiness
5%
Valence
3%
Popularity
Loudness
-23.341 dB

Summary

"5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green" by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau was released on January 1, 2003. The duration of 5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. 5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green BPM

The tempo marking of 5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

5 Mélodies de Venise, Op. 58 (Verlaine): 3. Green Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Frühlingsglaube (Arr. Franz Liszt) by Franz SchubertFrühlingsglaube (Arr. Franz Liszt)Franz SchubertA♭ Major34B64 BPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaCarmen Fantasy, Op. 25: I. ModeratoPablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaD Major110B89 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio by Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra MullejansConcerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. AdagioFranz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra MullejansC Major18B131 BPM
Pavane pour une infante défunte, M. 19 by Maurice Ravel, Anna VinnitskayaPavane pour une infante défunte, M. 19Maurice Ravel, Anna VinnitskayaE Minor09A67 BPM
Recueil de chants, Op. 65: No. 6, Barcarolle by Charles-Valentin Alkan, Bruce LiuRecueil de chants, Op. 65: No. 6, BarcarolleCharles-Valentin Alkan, Bruce LiuG Minor06A70 BPM
Bagatelles et impromptus: VII. Love by Bedřich Smetana, William HowardBagatelles et impromptus: VII. LoveBedřich Smetana, William HowardA Major011B71 BPM
ISRC
GBF075511800
Label
L-M Records/RCA Records

Section: 0.6444816589355469

End: 0.6509139537811279