"Merlin: Act II Scene 6: Du? Du? Was willst du, was suchst du hier? (Merlin, Viviane)" by Karl Goldmark, Robert Kunzli, Anna Gabler, Brian Davis, Frank van Hove, Gabriela Popescu, Daniel Behle, Sebastian Holecek, In-Sung Sim, Michael Mantaj, Werner Rollenmüller, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller was released on January 26, 2010. Since Merlin: Act II Scene 6: Du? Du? Was willst du, was suchst du hier? (Merlin, Viviane) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karl Goldmark, Gerd Schaller's "Goldmark, K.: Merlin [Opera]" album is number 8 out of 30. On top of that, Germany appears to be the country where this track was created. Merlin: Act II Scene 6: Du? Du? Was willst du, was suchst du hier? (Merlin, Viviane) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Merlin: Act II Scene 6: Du? Du? Was willst du, was suchst du hier? (Merlin, Viviane) by Karl Goldmark, Robert Kunzli, Anna Gabler, Brian Davis, Frank van Hove, Gabriela Popescu, Daniel Behle, Sebastian Holecek, In-Sung Sim, Michael Mantaj, Werner Rollenmüller, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in F Major, Op. 41 No. 2: I. Allegro vivace | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Minor | 1 | 5A | 140 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: III. Allegro agitato non troppo | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 2 | 8A | 98 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Meeresstille und Glückliche Fahrt, op. 16 | Männerstimmen Basel | F Major | 5 | 7B | 78 BPM | ||
Ah, je veux vivre ! (From Romeo et Juliette) | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 0 | 8B | 141 BPM |
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