Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus made "Chants d'Auvergne, Vol. 1: No. 5. Malurous Qu'o Uno Fenno (Sorry the Man Who Has a Wife)" available on November 1, 2004. With Chants d'Auvergne, Vol. 1: No. 5. Malurous Qu'o Uno Fenno (Sorry the Man Who Has a Wife) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. In terms of popularity, Chants d'Auvergne, Vol. 1: No. 5. Malurous Qu'o Uno Fenno (Sorry the Man Who Has a Wife) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 5. Malurous Qu'o Uno Fenno (Sorry the Man Who Has a Wife) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canteloube : 2 Bourrées : Interlude | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 66 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM |
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