"Danish Folk-Music Suite: III. The Nightingale and the Two Sisters" by Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra was released on September 14, 1990. With this song being about 5 minutes long, at 4:40, "Danish Folk-Music Suite: III. The Nightingale and the Two Sisters" by Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra's "Grainger: The Warriors" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Danish Folk-Music Suite: III. The Nightingale and the Two Sisters is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danish Folk-Music Suite: III. The Nightingale and the Two Sisters by Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Variations on a Korean Folk Song: IV. Allegro con brio | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | B♭ Major | 2 | 6B | 148 BPM | ||
On the Town: I. The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM | ||
Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM | ||
Redline Tango | John Mackey, University of Kansas Wind Ensemble, John P. Lynch | D♭ Major | 2 | 3B | 128 BPM | ||
Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Philadelphia Orchestra, Eugene Ormandy | D Minor | 3 | 7A | 134 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Shenandoah | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 0 | 5B | 92 BPM | ||
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM |
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