"On the Town: I. The Great Lover" by Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop was released on September 9, 2003. With On the Town: I. The Great Lover being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 7 in Bernstein: Chichester Psalms & On the Waterfront by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, On the Town: I. The Great Lover is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On the Town: I. The Great Lover by Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 102 in B-Flat Major, Hob. I:102: II. Adagio - Live | Joseph Haydn, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 5 in D Minor, Op. 107 "Reformation": III. Andante - Live | Felix Mendelssohn, Israel Philharmonic Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 136 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | D Minor | 1 | 7A | 135 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Capriccio Espagnol: Fandango asturiano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 68 BPM | ||
Helios, Op. 17, FS 32: Helios Overture, Op. 17, FS 32 | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | C Major | 1 | 8B | 72 BPM |
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