"Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream" by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir was released on February 1, 1993. The duration of Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Nielsen: "Aladdin"". In this album, this song's track order is #22. Based on our statistics, Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes: III. Sillhouetter | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 83 BPM | ||
Dial M for Murder Suite (arr. J. Mauceri for orchestra) | Dimitri Tiomkin, John Mauceri, DR SymfoniOrkestret | D♭ Major | 2 | 3B | 123 BPM | ||
Solomon Lane (From "Mission: Impossible, Rogue Nation") | Joe Kraemer, Danish National Symphony Orchestra, Hans Ek | A Minor | 1 | 8A | 169 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
En tikkende bombe | Nicklas Schmidt, Danish National Symphony Orchestra | C Major | 5 | 8B | 120 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Piano Concerto in A minor, Op. 16: 2. Adagio - attacca | Edvard Grieg, Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 135 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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