Frederick Delius, Sir John Barbirolli, Hallé made "Delius / Arr. Fenby: Koanga, Act II: La Calinda" available on January 1, 1969. With this song being about 5 minutes long, at 4:34, "Delius / Arr. Fenby: Koanga, Act II: La Calinda" by Frederick Delius, Sir John Barbirolli, Hallé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in Delius: In a Summer Garden, On Hearing the First Cuckoo in Spring, La Calinda... by Frederick Delius, Sir John Barbirolli, Hallé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Delius / Arr. Fenby: Koanga, Act II: La Calinda is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Delius / Arr. Fenby: Koanga, Act II: La Calinda by Frederick Delius, Sir John Barbirolli, Hallé is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Strauss II, J: Im Krapfenwald'l, Op. 336 | Johann Strauss II, Bramwell Tovey, Hallé | C Major | 1 | 8B | 106 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius, Sir John Barbirolli, Hallé | C Major | 2 | 8B | 141 BPM | ||
Benjamin & Cimarosa: Oboe Concerto in C Minor: II. Allegro | Arthur Benjamin, Domenico Cimarosa, Sir John Barbirolli, Evelyn Rothwell, Pro Arte Orchestra | C Major | 1 | 8B | 102 BPM |
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