"Jephtha: Act III, Scene 1, Waft her, angels" by George Frideric Handel, Mark Padmore, Andrew Manze, The English Concert was released on June 12, 2007. Jephtha: Act III, Scene 1, Waft her, angels is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze's "Handel: As Steals The Morn... Arias & Scenes for Tenor" album is number 17 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Jephtha: Act III, Scene 1, Waft her, angels's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jephtha: Act III, Scene 1, Waft her, angels by George Frideric Handel, Mark Padmore, Andrew Manze, The English Concert to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: Part I: Kommt, ihr Töchter, helft mir klagen (Chorus) | Johann Sebastian Bach, Trinity Boys Choir, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Minor | 4 | 6A | 88 BPM | ||
Ich weiss, dass mein Erlöser lebet, SWV 457 | Heinrich Schütz, Georg Poplutz, Tobias Mäthger, Hille Perl, Andreas Arend, Lee Santana, Anna Schall, Julia Fritz, Matthias Müller, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 70 BPM | ||
Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM | ||
Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Aria: Schafe können sicher weiden | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | E♭ Major | 0 | 5B | 69 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
The Dettingen Te Deum: VII. Thou Art the King of Glory | George Frideric Handel, Michael Pearce, The English Concert, Simon Preston, Michael Laird, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 2 | 3B | 101 BPM |
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