D'Aubat St. Flour, Ensemble Buon tempo made "La Prudente" available on January 1, 2007. The duration of La Prudente is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La Prudente's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 22 in Attaingnant / Playford / Lully / Mozart: Court Dance in the 16th to 18th Centuries by Ensemble Buon tempo. Based on our statistics, La Prudente's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La Prudente by D'Aubat St. Flour, Ensemble Buon tempo is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 22 Larghetto, n. 23 Allegro, n. 24 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
III. Grave | Carlo Arrigoni, Artemandoline | D♭ Major | 1 | 3B | 79 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
Sixiéme Suitte: IV. Rigaudon | Pierre Danican Philidor, Hans Olav Gorset, Rolf Lislevand, Paolo Pandolfo | D♭ Major | 1 | 3B | 138 BPM | ||
La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Tarantella siciliana [Staatsbibliothek, Berlin] | Traditional, Pino de Vittorio, Laboratorio '600 | F♯ Minor | 1 | 11A | 0 BPM | ||
Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | E Major | 4 | 12B | 84 BPM |
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