Andrea Falconieri, Musica Sequenza, BURAK's 'La Suave Melodia' came out on October 8, 2021. The duration of La Suave Melodia is about 3 minutes long, at 3:18. Based on our data, "La Suave Melodia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Musica Sequenza, BURAK, Diana Ramirez's "Inferno" album is number 11 out of 14. On top of that, Germany appears to be the country where this track was created. La Suave Melodia is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Suave Melodia by Andrea Falconieri, Musica Sequenza, BURAK to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata in A Minor for Violin and Continuo, Op. 1 No. 6: IV. Tempo di Gavotta (From Cupis's Sonata, Op. 1 No. 2) | Jean-Baptiste Cupis, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Ach, lieben Christen seid getrost, BWV 114: Eingangschor | Johann Sebastian Bach, Musica Sequenza, Burak Ozdemir | F♯ Minor | 0 | 11A | 113 BPM | ||
Violin Sonata No. 3 in F Major, C. 140: I. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Lute Sonata No. 9: III. Giga | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 2 | 12A | 66 BPM | ||
Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte: No. 3, L'éroïca | Andrea Falconieri, Ensemble Fitzwilliam, Jean Tubéry, Enrico Parizzi, Bruno Cocset, Françoise Johannel, Hugh Sandilands, Michèle Dévérité | A♭ Major | 2 | 4B | 98 BPM |
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