Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor's 'Violin Sonata No. 3 in F Major, C. 140: I. Adagio' came out on January 19, 2024. The duration of Violin Sonata No. 3 in F Major, C. 140: I. Adagio is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Violin Sonata No. 3 in F Major, C. 140: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 3 in F Major, C. 140: I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 3 in F Major, C. 140: I. Adagio by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | D♭ Major | 2 | 3B | 89 BPM | ||
Concerto Grosso Op. 6 No. 4 : IV. Giga Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 3 | 3B | 146 BPM | ||
T.Albinoni, Op.07, Concerto 04 | Orchestra Gli Armonic | E Minor | 3 | 9A | 85 BPM | ||
Symphony No. 6 in E Major, Wq. 182: III. Allegro spiritoso | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E♭ Major | 2 | 5B | 173 BPM | ||
Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Allegro | Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor | E Major | 4 | 12B | 62 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Gunar Letzbor, Ars Antiqua Austria | A♭ Major | 1 | 4B | 128 BPM | ||
Concertino in Es: Violino, Alto Viola, Basso: Allegro | Amandus Ivanschitz, Ars Antiqua Austria | D♭ Major | 2 | 3B | 113 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
26 Sonatas: No. 6, Violin Sonata in E Minor, B.e1 / GT. 2e01: II. Allegro cantabile | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |
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