George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner made "Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio" available on March 22, 2024. With Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Oboe Concertos Nos. 1–3; Recorder Concertos" album is number 22 out of 23. On top of that, Netherlands appears to be the country where this track was created. Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio by George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: III. Vivace | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | B♭ Major | 2 | 6B | 145 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: I. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | D♭ Minor | 3 | 12A | 81 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonata No. 2 in F Major: I. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 3 | 8B | 147 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Oboe Concerto No. 1 in B-Flat Major, HWV 301: III. Largo | George Frideric Handel, Roger Lord, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Sonata No. 3 in G Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 141 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM |
Section: 0.6987309455871582
End: 0.7030651569366455