Amandus Ivanschitz, Ars Antiqua Austria made "Concertino in Es: Violino, Alto Viola, Basso: Allegro" available on November 4, 2022. With Concertino in Es: Violino, Alto Viola, Basso: Allegro being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Chamber Music at the Abbey of Lambach by Amandus Ivanschitz, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concertino in Es: Violino, Alto Viola, Basso: Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concertino in Es: Violino, Alto Viola, Basso: Allegro by Amandus Ivanschitz, Ars Antiqua Austria is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Les Goûts-réunis ou nouveaux-suite: I. Gravement | François Couperin, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 0 | 12A | 84 BPM | ||
Meine Seele erhebet den Herren, BWV 648 | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Minor | 0 | 12A | 61 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: III. Largo | Johann Friedrich Fasch, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto 6 in A Major, Op. 7: II. Aria grazioso non troppo adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 95 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Divertimento in C-Dur für Violine, Viola und Violoncello: Finale: Allegro | Amandus Ivanschitz, Ars Antiqua Austria | A♭ Major | 4 | 4B | 123 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM |
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