"Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi" by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus was released on September 1, 1990. With Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Henry V by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus. The song's track number on the album is #13 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
The music key of this track is B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E Major: V. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata for Fortepiano and Violin No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Ian Watson, Susanna Ogata | E♭ Major | 1 | 5B | 97 BPM | ||
Oboenkonzert in D-Moll: I. Andante e spiccato | Alessandro Marcello, Südwestdeutsches Kammerorchester Pforzheim, Paul Angerer, Helmut Hucke | D Minor | 2 | 7A | 138 BPM | ||
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Tres libros de musica en cifras para vihuela: Gallarda | Alonso Mudarra, The Royal Wind Music | F♯ Major | 0 | 2B | 96 BPM | ||
Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Clowns | Ian Watson, London Accordion Orchestra | A Major | 4 | 11B | 88 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM |
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