Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti made "Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro" available on January 1, 1968. With Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 7 - 12 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro by Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes, Strings and Basso Continuo in F Major, Op. 9 No. 3: I. Allegro e non presto | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | F Minor | 3 | 4A | 92 BPM | ||
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
The Gordian Knot Untied: Minuet | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Major | 1 | 10B | 114 BPM | ||
Geigenjodler in G - 2007 | Salzburger Adventsingen, Salzburger Geigenmusik | G Major | 1 | 9B | 148 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerti Grossi, Op. 7: No. 2 in D Minor, Op 7: I. Grave - Studio Recording | Francesco Geminiani, I Musici | C Minor | 1 | 5A | 102 BPM | ||
Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 172 BPM | ||
Charpentier: Magnificat, H. 74: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 115 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: III. Vivace | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | B♭ Major | 2 | 6B | 145 BPM |
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