Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields's 'Charpentier: Magnificat, H. 74: Prélude' came out on January 1, 1978. With Charpentier: Magnificat, H. 74: Prélude being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Charpentier: Te Deum, H. 146 & Magnificat, H. 74 by Marc-Antoine Charpentier, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Charpentier: Magnificat, H. 74: Prélude is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier: Magnificat, H. 74: Prélude by Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Mozart: Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 92 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Spiritosa e staccata | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Major | 2 | 1B | 72 BPM | ||
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Flute Concerto in D Major: II. Adagio, piano sempre | Baldassare Galuppi, Giorgio Bernabo, Estro Armonico Orchestra, L', Ezio Mabilia | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 1 in E flat, K.16: 1. Allegro molto | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Minor | 1 | 2A | 153 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM |
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